“Very little respect for the press around here”: Journalism in His Girl Friday (1940)

There’s a brilliant bit of dialogue in the middle of Howard Hawks’ 1940 screwball masterpiece His Girl Friday that succinctly sums up the film’s derisive views on the profession of journalism. [At this point, I should probably go ahead and warn you that this post will be chock-full of spoilers.] A group of reporters have gathered…

Tragic Love in the Latin Quarter: Lillian Gish and La Bohème

Giacomo Puccini’s 1896 Italian opera La bohème has seen many forms in the century since its first performance in Turin. The story–itself borrowed from Henri Murger’s 1851 collection Scènes de la vie de bohème–has been retold in many forms, with and without the music. It’s been made into films, produced in countless venues featuring storied performers like…

Barbara Stanwyck: Country Hick (with a Brooklyn Accent)

“One of the best actresses I ever worked with.” –Joel McCrea Over the course of twenty-three years–from 1934’s Gambling Lady through 1957’s Trooper Hook–Barbara Stanwyck and Joel McCrea starred in six films together. By all accounts, the two of them formed a supportive and friendly relationship; each spoke highly of the other in interviews, and on…