In 1949, twenty-eight year old British actress Deborah Kerr starred opposite screen veteran Spencer Tracy in Edward, My Son. Though Kerr had already won critical acclaim for a handful of popular films in her native England–among them I See a Dark Stranger (1946) and Black Narcissus (1947)–Edward was only her third American film, and in my mind, presented the young actress with…
The delightful 1945 romantic fantasy The Enchanted Cottage was first recommended to me by one of my favorite grad school professors (hi, Dr. Riley!). There were only three of us in this particular class, and we were flung together for three long hours every Wednesday afternoon, so a sense of easy camaraderie developed. There were many times…
A version of this post originally appeared as a part of our series of Summer Under the Stars recommendations in August 2010. It’s being reprinted here as part of the LAMB’s “Acting School 101” tribute to Elizabeth Taylor. Elizabeth Taylor: one of the most gorgeous, appealingly talented actresses to emerge from classic Hollywood … the…
A version of this post originally appeared as a part of our series of Summer Under the Stars recommendations in August 2010. It’s being reprinted here as part of the LAMB’s “Acting School 101” tribute to Elizabeth Taylor. Cat on a Hot Tin Roof (1958) is based on a play by Mississippi-born playwright extraordinaire, Tennessee…
This post is an entry in the Classic Movie Blog Association’s “Classic Movies of 1939” Blogathon, organized by Becky of ClassicBecky’s Brain Food and Page of My Love of Old Hollywood. To see entries from other members, visit the CMBA blog. Indulge a flight of fancy for a moment, but I sometimes wonder if, on…
As I mentioned yesterday, today’s Therapy Thursday post will showcase Suddenly, Last Summer, with Katharine Hepburn and Elizabeth Taylor. Oddly, I haven’t been able to come up with a good topic for this series in weeks upon weeks … I just had nothing. Then, yesterday, doing a brief tribute to Elizabeth Taylor, this movie came to…
Note: you can find the first part of this entry here. Joseph Breen’s second caveat in adapting Streetcar revolved around the character of Blanche, whose more sexually predatory side could not be fully explicated on the screen per Production Code regulations. The faded Southern belle’s lack of sexual satisfaction in her marriage and her guilt over Allan’s suicide…
We’ve previously touched on issues of censorship here at True Classics, but our next two entries this week will take a more in-depth look at the Hays Code, particularly in regards to the struggle to adapt the controversial source material of A Streetcar Named Desire for the big screen. By 1950, Hollywood had reached an impasse. For nearly twenty…
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